Growth and spatial distribution of art galleries in Istanbul between 2000 and 2022
DOI:
https://doi.org/10.47818/DRArch.2025.v6i3183Keywords:
art galleries, cultural infrastructure, Istanbul, urban structure, urban growthAbstract
In this paper, we illustrate the growth and spatial distribution of art galleries in Istanbul at the beginning of the 21st century. Previous studies have attributed the decentralization of urban activities from the old CBD to sub-centers as a result of population growth, economic and transportation development, and globalization in Istanbul. The present study begins by explaining the spatial distribution of Istanbul’s cultural infrastructure within the urban macroform, followed by an investigation into the emergence and development of art galleries within the cultural ecosystem, providing a spatial focus as well as a historical context. We then analyze the growth and spatial distribution of art galleries from 2000 to 2022, with reference to the spatial characteristics of the cultural infrastructure and CBD in Istanbul’s macroform. The results indicate that over two decades, the number of art galleries increased, with a tendency toward centralization in the historical CBD of the city, while decentralization also occurred at the borders of the historical CBD. Additionally, new clusters of art galleries emerged following the extension of the CBD and singular redevelopment projects specializing in cultural and artistic functions. This study contributes to the literature on Istanbul’s urban growth and cultural studies by presenting a spatial assessment of the art galleries, which is a relatively underexplored component of cultural infrastructure. Additionally, by analyzing the relationships between the galleries and the urban macroform, specific revitalization and redevelopment projects, and cultural policies, the study highlights the role of art galleries within urban growth processes and the cultural infrastructure.
Downloads
References
Adanalı, Y. (2011). De‐spatialized space as neo-liberal utopia: Gentrified Istiklal Street and commercialized urban spaces. Red Thread, 3, 1-13.
Adeli, J. (2011). Translocal art worlds in times of medialization. Some observations of India's contemporary art world in transition. Internationales Asienforum, 42(3-4), 257-277.
Aksoy, A., & Enlil, Z. (2011). Kültür ekonomisi envanteri: İstanbul 2010. İstanbul Bilgi Üniversitesi Yayınları.
Aliçavuşoğlu, E. (2010). Istanbul Museum of Painting and Sculpture as a modernization project. Synergies Turquie, (3), 79-90.
Anagnost, A. (2020). Decentralize! Art, power, and space in the New York art world. Konsthistorisk Tidskrift/Journal of Art History, 89(2), 100-125.
Bain, A. L. (2018). Artists as property owners and small-scale developers. Urban Geography, 39(6), 844-867.
Cameron, S., & Coaffee, J. (2005). Art, gentrification, and regeneration-From artist as pioneer to public arts. European Journal of Housing Policy, 5(1), 39-58.
Debroux, T. (2017). The visible part: of Art galleries, artistic activity, and urban dynamics. Presentation and first results of a research project. Articulo-Journal of Urban Research, (15).
Dökmeci, V., & Berköz, L. (1994). Transformation of Istanbul from a monocentric to a polycentric city. European Planning Studies, 2(2), 193-205.
Dökmeci, V., & Çıracı, H. (1999). From westernisation to globalisation: An old district of Istanbul. Planning History, 21(3), 13-22.
Enlil, Z. M., Evren, Y., & Dincer, I. (2011). Cultural triangle and beyond: A spatial analysis of cultural industries in Istanbul. Planning, Practice and Research, 26(2), 167-183.
Erdi-Lelandais, G. (2015). Gezi protests and beyond. Urban resistance under neoliberal urbanism in Turkey. In M. Mayer, C. Thörn, & H. Thörn (Eds.), Urban uprisings: Challenging the neoliberal city in Europe (pp. 141-155). Palgrave Macmillan.
Gospodini, A. (2006). Portraying, classifying and understanding the emerging landscapes in the post-industrial city. Cities, 23(5), 311-330.
Istanbul.net.tr. (2022, December). Istanbul Kent Rehberi (Istanbul City Guide). https://www.istanbul.net.tr
Kahya, G. Y., & Ataöv, A. (2019). Cultural actors as agents of generating social co-presences within the place: Istanbul’s contemporary art scene. European Planning Studies, 27(6), 1177-1199.
Karachalis, N., & Deffner, A. (2012). Rethinking the connection between creative clusters and city branding: The cultural axis of Piraeus Street in Athens. Quaestiones Geographicae, 31(4), 87-97.
Kartal, A. N. (2021). Changes, losses, and challenges on transformation of the urban place: A narrative on Istiklal Street, Istanbul from the 1900s until today. urbe. Revista Brasileira de Gestão Urbana, 13, e20190335.
Kısar Koramaz, E., & Koramaz, T. K. (2017). İstanbul’da kültür tesislerinin yer seçimi. In Ş. Ş. Türk, & V. Dökmeci (Eds.), Yer seçimi kuramı ve uygulamaları: Konut, alışveriş merkezleri, ofisler, oteller, sanayi, depolar, üniversiteler, yurtlar, hastaneler, kültür tesisleri, yeşil alanlar (pp. 381-404). Yeni Anadolu Yayıncılık.
Kim, H. (2007). The creative economy and urban art clusters: Locational characteristics of art galleries in Seoul. Journal of the Korean Geographical Society, 42(2), 258-279.
Koramaz, T. K., & Kısar Koramaz, E. (2009). Locational evaluation of cultural facilities in Istanbul with GIS-Based spatial analysis methods. In N. Gülersoy-Zeren, et. al. (Eds.), New approaches in urban and regional planning: In honour of Prof. Dr. Vedia Dökmeci. ITU Faculty of Architecture, Planning and Environment Research Center.
Köksal, M., & Sinanlar Uslu, S. (2023). Mapping Istanbul’s Pera district between arrivals and departures. In B. Doğramacı, E. Aygün, M. Hetschold, L. Karp Lugo, R. Lee, & H. Roth (Eds.), Encountering urban exile: Theories, methods, research practices (pp. 206-224). Routledge.
Kültür Sanat Haritası. (2000, December). Istanbul Kültür Sanat Haritası (Istanbul Culture and Arts Map). https://www.kultursanatharitasi.com
Kültür Sanat Haritası. (2022, December). Istanbul Kültür Sanat Haritası (Istanbul Culture and Arts Map). https://www.kultursanatharitasi.com
Lorente, J. P. (1995). Galleries of modern art in nineteenth-century Paris and London: Their location and urban influence. Urban History, 22(2), 187-204.
Mayer, D. (2020). How global art came to Istanbul: The context of the Istanbul Bienal. P. In van der Grijp, & T. Fillitz, (Eds.), An anthropology of contemporary art (pp. 74-86). Routledge.
Molho, J. (2014). Territorialisation d’un marché de l’art émergent: Le cas d’Istanbul (Territorialization of an emerging art market: the case of Istanbul). Belgeo. Revue Belge de Géographie, 3(3), 1-19.
Molho, J., & Sagot-Duvauroux, D. (2017). From global to local creative dynamics: The location patterns of art galleries. In Creative industries in Europe: Drivers of new sectoral and spatial dynamics (pp. 43-64). Springer.
Molotch, H., & Treskon, M. (2009). Changing art: SoHo, Chelsea, and the dynamic geography of galleries in New York City. International Journal of Urban and Regional Research, 33(2), 517-541. https://doi.org/10.1111/j.1468-2427.2009.00866.x
Montalto, V. (2010). Decentralization and devolution in Italian cultural policies: How micro-practices should inspire macro-policies. Cultural Trends, 19(1-2), 15-25.
Öz, A. M. (2013). Sanat yönetimi açısından Maya Sanat Galerisi [Unpublished master’s thesis]. Istanbul Kultur University.
Polo, J. F. (2015). The Istanbul Modern Art Museum: An urban regeneration project? European Planning Studies, 23(8), 1511-1528.
Sanul, G. (2020). Towards a solidary form of publicness. Circulation of cultural assets between alternative cultural organizations of Istanbul and their micro public(s). Cidades. Comunidades e Territórios, (41), 243-261.
Sanul, G., & van Heur, B. (2018). Spaces of openness: Urban citizenship and cultural infrastructures of common life in Istanbul. City, 22(5-6), 801-819.
Savaş, A. (2008). Maya Sanat Galerisi [Unpublished master’s thesis]. Marmara University.
Sinanlar Uslu, S. (2021). Son araştırmalar ışığında Pera Salon sergileri. Sanat Tarihi Dergisi, 30(1), 337-367. https://doi.org/10.29135/std.832675
Tekin, İ., & Akgün Gültekin, A. (2017). Rebuilding of Beyoglu-Istiklal Street: A comparative analysis of urban transformation through sections along the street 2004-2014. METU Journal of The Faculty of Architecture, 34, 153-179.
Üner Yılmaz, P. (2021). A quest for curatorial authority: Beral Madra and the first two Istanbul Biennials. Curator: The Museum Journal, 64(1), 99-114.
Zukin, S., & Braslow, L. (2011). The life cycle of New York’s creative districts: Reflections on the unanticipated consequences of unplanned cultural zones. City, Culture and Society, 2(3), 131-140.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Elif Kısar Koramaz, Vedia Dokmeci, Numan Kilinc

This work is licensed under a Creative Commons Attribution 4.0 International License.


